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The Singer Who Doesn’t Sing


There was a time when singing felt as natural as breathing.

Not just something I did—but who I was.

From my teenage years, singing wasn’t a skill—it was my identity. It was how I connected, how I expressed joy, how I made people feel good. It made me feel attractive, wanted, visible. Before I knew I could sing, I didn’t think I had much to offer. But when I sang, people responded. And that response began to shape my sense of self.

For years, I lived and worked as a singer. It was in my friendships, my social life, my work, my spirit. I belonged to communities of musicians. I was on stage. I was in the room. I was in it.

And then—quietly—I wasn’t.

When my voice began to feel unstable, when I no longer trusted it, I did what so many do with something precious and painful: I hid it.

I didn’t talk about it. I didn’t announce anything. I just moved countries. I told myself I was starting a new life—and I was. But underneath that move was a quieter truth: I was finding a way to step out of singing without having to say, “I’ve stopped.”

Because to admit that I wasn’t singing anymore… felt like admitting I’d lost the very thing that made me me.


Living in the In-Between

In my new life, I was still surrounded by singers—but now as a teacher. Not a performer. Not a peer on the gig. And although I loved my students and cared deeply for their progress, a quiet shame settled in.

People knew me as a singing teacher—but not as a singer.
And that difference haunted me.

Every time someone asked, “Do you still sing?” my stomach sank. I answered truthfully—“No, not really”—but I could feel myself fawning, softening the answer, making it more palatable. I wanted to protect myself from the weight of the silence that followed. I wanted them to believe in me, even though I no longer did.

What I didn’t say was that every “no” chipped away at something inside me.
That saying I didn’t sing anymore felt like saying:
I made it all up.
I wasn’t real.
I imagined the whole thing—my voice, my gift, my right to belong.

There’s a kind of shame that doesn’t rage. It whispers.
It tells you that maybe your talent was an accident.
That maybe you weren’t ever that good.
That maybe, if you’re not singing now, you never really were “a singer.”

I didn’t share this with anyone. I just tried harder to look like I had it all together. I leaned into the role of the teacher. The professional. The one who helps others shine. And I did. But inside, I often felt like a fraud—like I was offering something I no longer had access to myself.


Reframing the Silence

It took me years to understand that the silence wasn’t proof of failure.
It was a signal. A boundary. A kind of wisdom.

At the time, I thought I’d lost my voice. But what I’d really lost was trust—trust in my body, trust in my belonging, trust in a world that only seemed to value singing when it was producing something.

And so, I found another way to survive it:
I served.
I gave my energy, my presence, my care to others. I poured myself into teaching, into helping singers thrive. And in many ways, that saved me. It gave me purpose, it gave me connection—but it also allowed me to disappear.

For a season, my new identity as a teacher allowed me to forget myself.
To turn away from the silence in my own body by helping others find their sound.

And for a while, that felt like enough.
It gave me a sense of meaning. It allowed me to stay close to music, even if I wasn’t making it myself. But beneath that service was still a quiet ache—the part of me that wondered: Am I still a singer, if I’m no longer singing?

I thought that not singing made me less of a singer.
Now I know that silence is part of the story too.

Singing is not just sound. It’s relationship. It’s memory. It’s breath and longing and resonance—even if that resonance is, for a while, internal. Even if the voice stays inside the body, unspoken.

I didn’t stop being a singer when I stopped performing.
I didn’t stop being a singer when I said “no” to opportunities.
I didn’t stop being a singer when the only music I made was the kind no one else could hear.

A singer is someone who knows the voice. Who feels the voice.
And sometimes, we know it best when it’s quiet.

If you’ve stopped singing—not by choice, but because it no longer felt safe, or possible, or welcome—I want you to know:

You are still a singer.
Even in silence.
Even in the ache.
Even if no one else hears it but you.


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Comments

  1. That blog isn’t the sound of someone with no voice. That’s one of the most affecting songs I’ve heard.

    Some singers in my choir are unable to produce tones that once came easily, roughly as a symptom of unrelated medical issues. I’ll share your blog with them.

    ReplyDelete
    Replies
    1. Thank you very much. My work is dedicated to all singers who suffer one way or another. It's important that people continue to sing and express themselves despite cultural ideals. I hope this brings your singers comfort!

      Delete
  2. With tears in my eyes I resonate with this on a deep, deep level. Thank you for sharing.

    ReplyDelete
  3. Kelliann, Thank you for commenting, it means a lot to know that the writing speaks to people. I hope you are well and feel free to reach out anytime.

    ReplyDelete

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